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L'image comme trace en mouvement : Du corps du geste au corps de l'image

Abstract : From the inception of photography to computer modelling, images had to construct their own body to reproduce the continuity of movement or gesture. That is, from manipulating either diagrammatic components or plastic features (texture or saturation) up to a proper modulation of the enunciative space itself, emphasizing more precisely their inner aspectualization, supposed to fit in with the very own tem-porality of movement. We will investigate image role and status within Emio Greco | PC's Double Skin/Double Mind project. This installation, mixing high–technology and Human–Machine interaction to tackle problematic of movement notation and movement reproduction in the field of dance, constitutes an enunciative device involving body experience , movement and figurativity. In this respect, we think it is a necessity to connect multiple semiotics approaches, especially suggestions made from studies on images and visible, with the theory of the " empreinte " and thoughts on a possible semiotics of time. As this field of research both theoretical and practical appears broad and quite new, our analysis is aimed at outlining trends from relations between the body in motion, images and temporality without claiming completeness. Introducing our research subject, we will frame the problematic arising from its polysensorial nature; the adopted semiotics perspectives will enlighten interactions between bodies and images within the enunciative space and enunciative strategies which set up another temporality for the reproduction of movement.
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Soumis le : lundi 15 juin 2015 - 12:17:52
Dernière modification le : vendredi 18 février 2022 - 10:54:02


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Ludovic Chatenet, Valeria de Luca. L'image comme trace en mouvement : Du corps du geste au corps de l'image. Lexia - Rivista di semiotica, 2014, Immagini efficaci, pp.535-553. ⟨10.4399/978885487680426⟩. ⟨hal-01148757⟩



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